Edward lear

Edward Lear

British artist and writer (–)

Edward Lear

Lear in

Born()12 May
Holloway, Middlesex, England
Died29 January () (aged&#;75)
Sanremo, Liguria, Italy
OccupationArtist, illustrator, writer, poet
CitizenshipBritish, Italian
Period19th century
GenreChildren's literature, literary nonsense and limericks
Notable worksThe Book of Nonsense, "The Owl and the Pussy-Cat"

Edward Lear (12 May [1][2] – 29 January ) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised.[3]

His principal areas of work as an artist were threefold: as a draughtsman employed to make illustrations of birds and animals, making coloured drawings during his journeys (which he reworked later, sometimes as plates for his travel books) and as a minor illustrator of Alfred, Lord Tennyson's poems.

As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.

Biography

Early years

Lear was born into a middle-class family at Holloway, North London, the penultimate of 21 children (and youngest to survive) of Ann Clark Skerrett and Jeremiah Lear, a stockbroker formerly working for the family sugar refining business.[4][5] He was raised by his eldest sister, also named Ann, 21 years his senior.

Jeremiah Lear ended up defaulting to the London Stock Exchange in the economic upheaval following the Napoleonic Wars.[6] Because of the family's now more limited finances, when he was aged four, Lear and his sister were required to leave the family home, Bowmans Lodge, and live together. Ann doted on Edward and continued to act as a mother to him until her death, when he was almost 50 years of age.[7]

Lear had lifelong health problems.

From the age of six, he had frequent grand malepileptic seizures, bronchitis, asthma and, during later life, partial blindness. Lear experienced his first seizure at a fair near Highgate when with his father. The event scared and embarrassed him. He felt lifelong guilt and shame for his epileptic condition, and his adult diaries indicate that he always sensed the onset of a seizure in time to remove himself from public view.

When Lear was about seven years old he began to show signs of depression, possibly due to the instability of his childhood. He had periods of severe melancholia which he referred to as "the Morbids".[8]

Artist

Lear was already drawing "for bread and cheese" by the time he was aged 16 and soon developed into a serious "ornithological draughtsman" employed by the Zoological Society and from to by the Earl of Derby, who kept a private menagerie at his estate, Knowsley Hall.

He was the first major bird artist to draw birds from life rather than the skins of specimens. Lear's first publication, published when he was 19 years old, was Illustrations of the Family of Psittacidae, or Parrots in [9] One of the greatest ornithological artists of his era, he taught Elizabeth Gould whilst also contributing to John Gould's works and was compared by some to the naturalist John James Audubon.

In honour of Lear's bird illustrations, Anodorhynchus leari, popular name Lear's macaw, is named after him.

After his eyesight deteriorated too much to work with such precision on the fine drawings and etchings of plates used in lithography, he turned to landscape painting and travel.[10]

Among other travels, he visited Greece and Egypt during –49 and toured India during –75, including a brief detour to Ceylon.

While travelling he produced large quantities of coloured wash drawings in a distinctive style, which he converted later in his studio into oil and watercolour paintings, as well as prints for his books.[11] His landscape style often shows views with strong sunlight, with intense contrasts of colour.[12]

Between and , Lear spent his summers on Monte Generoso, a mountain on the border between the Swiss canton of Ticino and the Italian region of Lombardy.

His oil paintingThe Plains of Lombardy from Monte Generoso is in the Ashmolean Museum in Oxford.[13][14]

Throughout his life, he continued to paint seriously. He had a lifelong ambition to illustrate Tennyson's poems; near the end of his life, a volume with a small number of illustrations was published.

Illustrated Excursions in Italy (–47)

In , Lear began a journey into the Italian peninsula, travelling through the Lazio, Rome, Abruzzo, Molise, Apulia, Basilicata, Calabria and Sicily. In personal notes, together with drawings, Lear gathered his impressions on the Italian way of life, folk traditions, and the beauty of the ancient monuments.

Of particular interest to Lear was the Abruzzo, which he visited in , through the Marsica (Celano, Avezzano, Alba Fucens, Trasacco) and the plateau of Cinque Miglia (Castel di Sangro and Alfedena), by an old sheep track of the shepherds.

Lear drew a sketch of the medieval village of Albe with Mount Sirente, and described the medieval village of Celano, with the castle of Piccolomini dominating the vast plain of Lago Fucino, which was drained a few years later to promote agricultural development.

At Castel di Sangro, Lear described the winter stillness of the mountains and the beautiful basilica.

More adventurous was the voyage to the regions of southern Italy in , described in Lear's Journals of a Landscape Painter in Southern Calabria, & c. The broad Calabria section in which Lear tells his itinerary among breathtaking landscapes and often surreal characters, is thought to be among the best in his travel literature.[15]

Composer and musician

Lear primarily played the piano, but he also played the accordion, flute, and small guitar.[16] He composed music for many Romantic and Victorian poems, but was known mostly for his many musical settings of Tennyson's poetry.

  • Edward lear limericks
  • Poem hunter edward lear biography pdf
  • Edward lear

    • He published four settings in , five in , and three in Lear's were the only musical settings that Tennyson approved of. Lear also composed music for many of his nonsense songs, including "The Owl and the Pussy-Cat", but only two of the scores have survived, the music for "The Courtship of the Yonghy-Bonghy-Bò" and "The Pelican Chorus".

    While he never played professionally, he did perform his own nonsense songs and his settings of others' poetry at countless social gatherings, sometimes adding his own lyrics (as with the song "The Nervous Family"), and sometimes replacing serious lyrics with nursery rhymes.[17]

    Relationships

    Lear's most fervent and painful friendship was with Franklin Lushington.

    He met the young barrister in Malta in and toured southern Greece with him. Lear developed an infatuation for him that Lushington did not wholly reciprocate. Although they remained friends for almost forty years until Lear's death, the disparity of their feelings constantly tormented Lear. Indeed, Lear's attempts at male companionship were not always successful; the very intensity of Lear's affections may have doomed these relationships.[18]

    He proposed twice to another writer, Augusta Bethell, whom he had known for a long time, when he was 26 years her senior.[19] For companions, he relied instead on friends and correspondents, and especially, during later life, on his Albanian Souliote chef, Giorgis, a faithful friend and (as Lear complained) a thoroughly unsatisfactory chef.[20] Another trusted companion in San Remo was his cat, Foss, who died in and was buried with some ceremony in a garden at Villa Tennyson.

    San Remo and death

    Lear eventually settled in San Remo, on his beloved Mediterranean coast in the s at a villa he named "Villa Tennyson".

    Lear was known to introduce himself with a long pseudonym: "Mr Abebika kratoponoko Prizzikalo Kattefello Ablegorabalus Ableborinto phashyph" or "Chakonoton the Cozovex Dossi Fossi Sini Tomentilla Coronilla Polentilla Battledore & Shuttlecock Derry down Derry Dumps", which he based on Aldiborontiphoskyphorniostikos.[21]

    After a long decline in his health, Lear died at his villa in of heart disease, which he had since at least Lear's funeral was described as a sad, lonely affair by the wife of Dr.

    Hassall, Lear's physician, none of Lear's many lifelong friends being able to attend.[22]

    Lear is buried in the Cemetery Foce in San Remo. On his headstone are inscribed these lines about Mount Tomohrit (in Albania) from Tennyson's poem To E.L. [Edward Lear], On His Travels in Greece:

    &#; — all things fair.
    With such a pencil, such a pen.
    You shadow'd forth to distant men,
    I read and felt that I was there.[23]

    The centenary of his death was marked in Britain with a set of Royal Mail stamps in and an exhibition at the Royal Academy.

    Lear's birthplace area is now marked with a plaque at Bowman's Mews, Islington, in London, and his bicentenary during was celebrated with a variety of events, exhibitions and lectures in venues across the world including an International Owl and Pussycat Day on his birth anniversary.[24]

    Author

    In , Lear published A Book of Nonsense, a volume of limericks which went through three editions and helped popularise the form and the genre of literary nonsense.

    In , he published Nonsense Songs, Stories, Botany and Alphabets, which included the nonsense song "The Owl and the Pussy-Cat", which he wrote for the children of his patron Edward Stanley, 13th Earl of Derby. Many other works followed.

    Lear's nonsense books were quite popular during his lifetime, but a rumour developed that "Edward Lear" was merely a pseudonym, and the books' true author was the man to whom Lear had dedicated the works, his patron the Earl of Derby.

    Promoters of this rumour offered as evidence that both men were named Edward, and that "Lear" is an anagram of "Earl".[25]

    Lear's nonsense works are distinguished by a facility of verbal invention and a poet's delight in the sounds of words, both real and imaginary. A stuffed rhinoceros becomes a "diaphanous doorscraper".

    A "blue Boss-Woss" plunges into "a perpendicular, spicular, orbicular, quadrangular, circular depth of soft mud". His heroes are Quangle-Wangles, Pobbles, and Jumblies. One of his most famous verbal inventions, the phrase "runcible spoon", occurs in the closing lines of "The Owl and the Pussy-Cat" and is now found in many English dictionaries.

    They dined on mince and slices of quince,
    &#;&#;&#;&#;Which they ate with a runcible spoon;
    And hand in hand, on the edge of the sand
    &#;&#;&#;&#;They danced by the light of the moon,
    &#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;The moon,
    &#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;&#;The moon,
    &#;&#;&#;&#;They danced by the light of the moon.[26]

    —&#;lines 27–33

    Though known for his neologisms, Lear used a number of other devices in his works in order to defy reader expectations.

    For example, "Cold Are the Crabs"[27] conforms to the sonnet tradition until its dramatically foreshortened last line.

    Today, limericks are invariably typeset as five lines. Lear's limericks, however, were published in a variety of formats; it appears that Lear wrote them in manuscript in as many lines as there was room for beneath the picture.

    For the first three editions, most are typeset as, respectively, two, five, and three lines. The cover of one edition[28] bears an entire limerick typeset in two lines:

    There was an Old Derry down Derry, who loved to see little folks merry;
    So he made them a Book, and with laughter they shook, at the fun of that Derry down Derry!

    In Lear's limericks, the first and last lines usually end with the same word rather than rhyming.

    Poem hunter edward lear biography Edward Lear was an English artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularised. Lear was born into a middle-class family in the village of Holloway, the 21st child of Ann and Jeremiah Lear.

    For the most part they are truly nonsensical and devoid of any punch line or point. They are completely free of the bawdiness with which the verse form is now associated. A typical thematic element is the presence of a callous and critical "they". An example of a typical Lear limerick:

    There was an Old Man of Aôsta
    Who possessed a large Cow, but he lost her;
    But they said, "Don't you see she has run up a tree,
    You invidious Old Man of Aôsta?"[29]

    Lear's self-description in verse, How Pleasant to know Mr.

    Lear, ends with this stanza, a reference to his own mortality:

    He reads, but he cannot speak, Spanish,
    &#;&#;&#;&#;He cannot abide ginger-beer:
    Ere the days of his pilgrimage vanish,
    &#;&#;&#;&#;How pleasant to know Mr. Lear![30]

    —&#;Stanza 8 (lines 29–32)

    Five of Lear's limericks from the Book of Nonsense (in the Italian translation by Carlo Izzo) were set to music for choir a cappella by Goffredo Petrassi in

    Portrayals

    Edward Lear has been played in radio dramas by Andrew Sachs in The Need for Nonsense by Julia Blackburn (BBC Radio 4, 9 February )[31] and by Derek Jacobi in By the Coast of Coromandel by Lavinia Murray (BBC Radio 4, 21 December ).

    He was portrayed on television by Robert Lang in "Edward Lear: On the Edge of the Sand" a special episode of The Natural World, BBC2 14 April

    In popular culture

    Lear's written work was used extensively in the short-lived The Tomfoolery Show, a Saturday morning cartoon that was produced by Rankin-Bass and broadcast on NBC from to A Beach Full of Shells, the 20th album by musician Al Stewart pays tribute in the song "Mr.

    Lear", celebrating Foss and many events from Lear's life.

    Works

    • Illustrations of the Family of Psittacidae, or Parrots ()
    • Views in Rome and its Environs ()
    • Gleanings from the Menagerie at Knowsley Hall ()
    • The Book of Nonsense ()
    • Illustrated Excursions in Italy ()
    • Mount Timohorit, Albania ()
    • Journal of a Landscape Painter in Greece and Albania ()
    • The falls of the Kalama Albania ()
    • Journal of a Landscape Painter in Southern Calabria ()
    • Poems and Songs by Alfred Tennyson (, , ) Twelve total musical settings published, each being for a Tennyson poem.
    • History of the Seven Families of the Lake Pipplepopple (), illustrated manuscript now in the British Library[32]
    • Journal of a Landscape Painter in Corsica ()
    • Nonsense Songs and Stories (, dated )[33]
    • Tortoises, Terrapins, and Turtles (), introduction by J.

      E. Gray

    • More Nonsense Pictures, Rhymes, Botany, etc. ()[34]
    • Laughable Lyrics ()
    • Nonsense Alphabets
    • Argos from Mycenae (), now in the collection of Trinity College, Cambridge[35]
    • Nonsense Botany ()
    • Tennyson's Poems, illustrated by Lear ()
    • Facsimile of a Nonsense Alphabet (, but not published until )
    • The Quangle-Wangle's Hat ()
    • Edward Lear's Parrots by Brian Reade, Duckworth (), including 12 coloured plates from Lear's Psittacidae
    • The Scroobious Pip, unfinished at his death, but completed by Ogden Nash and illustrated by Nancy Ekholm Burkert ()
    • The Dong with a Luminous Nose, illustrated by Edward Gorey, Young Scott Books, NY ()
    • "Edward Lear: The Corfu Years" () ISBN&#;

    Archival collections

    The largest collection by far of Edward Lear original drawings resides in the Printing and Graphic Arts Collection at Houghton Library.

    Additional major Lear collections may be found at the Yale Center for British Art, the Liverpool Libraries, and Gennadius Library in Athens.

    Illustrations

    • Ara macao from his first book, Illustrations of the Family of Psittacidae, or Parrots,

    • Greater sulphur-crested cockatoo in Illustrations of the Family of Psittacidae, or Parrots,

    • Chimpanzee,

    • Eagle Owl, Edward Lear,

    • Another Edward Lear owl, in his more familiar style

    • Lear self-portrait, illustrating a real incident when he encountered a stranger who claimed that "Edward Lear" was merely a pseudonym.

      Lear (on the right) is showing the stranger (left) the inside of his hat, with his name in the lining.

    • Illustration by Edward Lear for "There was a Young Lady of Hull"

    • A Weasel

    • Lithograph of Melfi, Italian city in the Basilicata region

    • Howatke, Edward Lear,

    • Self-caricature ()

    References

    1. ^Metropolitan Museum of Art (New York, N.Y.), and Katharine Baetjer.

      British paintings in the Metropolitan Museum of Art, –. New York: Metropolitan Museum of Art. p. ISBN&#;

    2. ^Vivian Noakes says Lear's birth certificate gives 13 May as his birthdate but says "there is some doubt about the exact date". Noakes, Vivien. Edward Lear, –. New York: H.N. Abrams. p. ISBN&#;
    3. ^"Is It Irrational To Be Rational?".

      Edward lear limericks: Edward Lear was an English artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularised. Lear was born into a middle-class family in the village of Holloway, the 21st child of Ann and Jeremiah Lear.

      IAI TV – Changing how the world thinks. 11 June Retrieved 20 June

    4. ^James Williams (University of Cambridge) (20 July ). "Literary Encyclopedia &#; Edward Lear". Retrieved 28 January
    5. ^Edward Lear, Ina Rae Hark, Twayne Publishers, , pg 2
    6. ^Pictures at an Exhibition: Selected Essays on Art and Art Therapy, ed.

      Andrea Gilroy and Tessa Dalley, Routledge, , pg 66

    7. ^Jackson, Holbrook (ed). The Complete Nonsense of Edward Lear. Dover Publications, Page xii.
    8. ^Lear, Edward (). The Complete Verse and Other Nonsense. New York: Penguin Books. pp.&#;19– ISBN&#;.
    9. ^Sutton, Charles William ().

      "Lear, Edward"&#;. In Lee, Sidney (ed.). Dictionary of National Biography. Vol.&#; London: Smith, Elder & Co.

    10. ^Roger F. Pastier & John Farrand, Jr., Masterpieces of Bird Art, Years of Ornithological Illustration, pp. –, Abbeville Press, New York, , ISBN&#;
    11. ^Andrew Wilton & Anne Lyles, The Great Age of British Watercolours (–), p.

      , , Prestel, ISBN&#;

    12. ^Hofer, Philip. Edward Lear as a landscape draughtsman. Cambridge: Mass., Belknap Press of Harvard University Press.
    13. ^Lambert, Anthony (). Switzerland Without A Car (5th&#;ed.). Chalfont St. Peter: Bradt Travel Guides. pp.&#;–7. ISBN&#;.
    14. ^"The Plains of Lombardy from Monte Generoso".

      Art UK. Retrieved 27 June

    15. ^See: Raffaele Gaetano, Senza ombre di cerimonie. Sull'ospitalità nei "Diari di viaggio" in Calabria di Edward Lear, Pellegrini, Cosenza, Raffaele Gaetano, Per la Calabria Selvaggia: disegni inediti di Edward Lear. Dalla Collezione della Central Library di Liverpool, Iiriti, Reggio Calabria, Raffaele Gaetano, Edward Lear: Cronache di un viaggio a piedi nella Calabria del , Laruffa, Reggio Calabria,
    16. ^Lodge, Sara ().

      Inventing Edward Lear. Harvard University Press. p.&#; ISBN&#;.

    17. ^Noakes, Vivien. Edward Lear: The Life of a Wanderer, Revised Edition, pp. 99–, , ISBN&#;
    18. ^Susan Chitty, That Singular Person Called Lear, Atheneum,
    19. ^"Augusta Bethell, 1. Upper Hyde Park Gardens, London, to [John] Gibson".

      Retrieved 18 August

    20. ^Levi, Peter. Edward Lear, a Biography.
    21. ^Pendlebury, Kathleen Sarah (November ). "Reading Nonsense: A Journey through the writing of Edward Lear"(PDF). A thesis submitted in fulfilment of the Requirements for the degree of MASTERS OF ARTS of RHODES UNIVERSITY.

      RHODES UNIVERSITY. pp.&#;20– Archived from the original(PDF) on 18 July Retrieved 14 February

    22. ^Strachie, Lady Constance Braham. Later Letters of Edward Lear: Author of "The Book of Nonsense".

      Poem hunter edward lear biography for kids Edward Lear ([1] [2] – 29 January ) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised.

      Duffield and Company. P.

    23. ^Noakes, Vivien. "Lear, Edward (–)". Oxford Dictionary of National Biography (online&#;ed.). Oxford University Press. doi/ref:odnb/ (Subscription or UK public library membership required.)
    24. ^"International Owl & Pussycat Day, 12 May &#; Just another site".

      Retrieved 16 January

    25. ^Lear, Edward (). "Introduction". More Nonsense Pictures, Rhymes, Botany, etc.
    26. ^Lear, Edward (). Strachey, Constance Braham (ed.). The Complete Nonsense Book. New York: Duffield & Company.

      Edward lear poems Edward Lear Biography Edward Lear was an English artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularised.

      pp.&#; OCLC&#;

    27. ^"Cold Are the Crabs". Retrieved 16 January
    28. ^"Edward Lear, A Book of Nonsense". Retrieved 16 January
    29. ^Lear, Edward (). Strachey, Constance Braham (ed.). The Complete Nonsense Book. New York: Duffield & Company. p.&#; OCLC&#;
    30. ^Lear, Edward ().

      Strachey, Constance Braham (ed.). The Complete Nonsense Book. New York: Duffield & Company. pp.&#; OCLC&#;

    31. ^"BBC Radio 4 Extra – Drama, The Need for Nonsense". BBC. Retrieved 25 June
    32. ^"British Library".
    33. ^Cox, Michael, ed. ().

    34. Edward lear nonsense poems list
    35. Edward lear children's poems
    36. The owl and the pussycat
    37. Edward lear poems
    38. Clear

      39. The Concise Oxford Chronology of English Literature. Oxford University Press. ISBN&#;.

    39. ^Happy Birthday Edward Lear. Oxford: Ashmolean Museum. p.&#; ISBN&#;.
    40. ^"Trinity College, University of Cambridge". BBC Your Paintings. Archived from the original on 11 May

    Further reading

    • Destani, Bejtullah & Robert Elsie (eds.) Edward Lear in Albania: Journals of a Landscape Painter in the Balkans (I.

      B. Tauris, ) ISBN&#;

    • Kelen, Emery. Mr. Nonsense: A Life of Edward Lear (Macdonald & Jane's, ) ISBN&#;
    • Lehmann, John. Edward Lear and His World (Thames & Hudson, ) ISBN&#;
    • Levi, Peter. Edward Lear. A Biography (Macmillan, ) ISBN&#;
    • Montgomery, Michael. Lear's Italy: In the Footsteps of Edward Lear (Cadogan Guides, ) ISBN&#;
    • Noakes, Vivien (ed.) Edward Lear: Selected Letters (Clarendon Press, ) ISBN&#;
    • Noakes, Vivien.

      Edward Lear: The Life of a Wanderer (Collins, )

    • Noakes, Vivien. Edward Lear (Royal Academy of Arts, )
    • Peck, Robert McCracken.

      Poem hunter edward lear biography wikipedia

      Edward Lear Biography Edward Lear was an English artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularised.

      The Natural History of Edward Lear (David Godine, ) ISBN&#;

    • Richardson, Joanna. Edward Lear (Longmans/British Council, ) "Writers and their Work"
    • Uglow, Jenny. Mr Lear: A Life of Art and Nonsense (Faber & Faber, ) ISBN&#;

    External links

    Digital Humanities Resources

    Online editions and texts